Interview in Charisma+2 Magazine

Posted by Kaitlyn On August 2, 2010

This month's Charisma+2 Magazine includes a rather in-depth interview with... well, me! Charisma+2 is primarily a company that provides talent for videogame-related events and tradeshows. It is, essentially, a modeling agency for booth babes that know a lot about videogames. The concept is fantastic and the execution is great too.

Read the full interview.

New Panasonic LUMIX Cameras

Posted by Kaitlyn on July 21, 2010

One of the most exciting things about working as a journalist is being "in the know" before everyone else. In the case of DigitalCameraInfo, I get hands-on time with new cameras before they're even announced. Last week I went to New York and met with people from Panasonic, who gave me the goods on these new point-and-shoot cameras for their LUMIX lineup. The LX5 is especially juicy, giving consumers a replacement for that retro chic LX3 from 2008.


Read the full article.

Director's Note: Annie, Get Your Gun

Posted by Kaitlyn On May 7, 2010

This was my first time directing where I hadn't actually selected the show myself. Riverside Theatre Works lost their director at the last minute and I was called in to triage. I must admit that this not a show I would have ever selected on my own, but I'm very glad I had the opportunity to direct it. The music of Irving Berlin and the story of Annie Oakley go together surprisingly well.

Read the full note.

Ten RPGs That Matter... to Kaitlyn

Posted by Kaitlyn On April 18, 2010

Some people say that female gamers just aren't unique anymore. "Everyone knows that girls game... what's the big deal?" And yet, I find that the majority of guys are still surprised when I tell them I like videogames. They're even more slack-jawed when they learn how much I play and how knowledgeable I am. Even the mere suggestion that I'm good enough to play on a competitive level is just... unbelievable.

Read my blog on the Frag Dolls site.

I've been so busy writing and directing that I haven't had much time to update everyone on the little things in life. So... here's a whirlwind summary of what's been holding my attention:

PLAYING
1. Eternal Sonata: I came back to this after a long respite and it was worth the wait. What a beautiful game... even with the strange Chopin infomercial slideshows interspersed in there.

2. Assassin's Creed 2: I ambushed this game on opening day and threw it eagerly into my 360. I think AC2 improves some of the flaws of the original, but it's somehow less magical now that we're experiencing it for the second time.

3. Dragon Age: Origins: This game distracted me from AC2. The plot and characters are not as stirring as Mass Effect, Eternal Sonata, or Lost Odyssey. But the gameplay is exciting enough to keep my interest.

4. New Super Mario Bros., Wii: We played it at work, we played it at home. It's everything you ever loved about the Mario series, plus some of the best cooperative playing dynamics I've seen in a videogame.

5. Mass Effect: We spent some time playing this game during our lunch breaks at work. There's something exciting about making all the important dialog choices as a group. Mob mentality at its best!

6. Viva Piñata: Trouble in Paradise: I made a brief return to Piñata Island and immediately remembered how addictive this game is. Curse you, 3am Romances!

7. Left 4 Dead 2: Like AC2, this game lost some of its magic in the sequel. We'd already rode the roller coaster of frantic zombie defense. Fortunately, there is a little bit of sparkle in here.

8. Beatles Rock Band: I am still astonished at how well Harmonix handled this game. They could have just phoned it in and threw some Beatles songs in a Rock Band game, but this is entirely different. Everything is handled with such care!

9. The Misadventures of P.B. Winterbottom: Some mutter that it's a beautifully designed rip-off of Braid. I think this game far outshines the self-important complacency of Braid. Charming, witty, clever... good job, Odd Gentlemen!

10. Doodle Jump: Is the iPhone/iPod a legit gaming platform? It is now! This is just one of many awesome games I've found that has put mobile gaming onto my radar. It's not just for dabblers anymore.

11. Boom Blox: Did you know that this game is still fun? Some games really stand the test of time. And it's not just the Ocarina of Time's of the world.


WATCHING
1. The West Wing: The thing I love the most about this show is that it still feels relevant, still makes me laugh and cry, and still has about 4 or 5 seasons that I've never seen. It's like there's this gift that I know is out there for me and that I get to open later.

2. House: At least half of the episodes I watch of this show really make me think. It's another that I'm watching slowly on DVD. What a great distraction.

3. Guilty Pleasures: When I'm sitting at home and can't be distracted by videogames, I actually turn on my TV and work during the commercial breaks. I know... cable. It's crazy. But I get to fulfill my guilty pleasure of crime drama. Bones is my favorite, but there's also NCIS, CSI, and Numb3rs. Also filing under the category of guilty pleasures: The Amazing Race.

4. Sports: Another great reason to have cable? I get to watch basketball, football, tennis, the Olympics, and (soon) baseball! What a day.


READING
1. Robert Jordan: So I did, in fact, finish the most recent Wheel of Time book. (After re-reading the entire series for the first time.) Sanderson did a great job. I'm excited to devour another volume and sad that the series will soon come to an end.

2. Anathem: The latest by Neal Stephenson completely blew my mind. One of the most incredible epic literary journeys I've taken in a decade. From the London Guardian: "The only catch to reading a novel as imposingly magnificent as this is that for the next few months, everything else seems small and obvious by comparison."

DOING
1. I became a member at the Boston Museum of Science. Just in time to catch the wonderful Harry Potter exhibit. But also in time to see "Running the Numbers," meet Cliff, and dance among the butterflies.

2. In the most recent news, I went to see Carbon Leaf in Portland, ME. They put on a great show (as always) and left me with all sorts of ruminations about the nature of performance, who gets it right, and why.

3. Directing. Yup. I'm doing it. This past fall I wrapped up a joyous production of You're a Good Man, Charlie Brown. Now I'm moving on to Annie, Get Your Gun. And helping out with a high school production of A Midsummer Night's Dream. Oh the adventures of theatre.


Also, two of my close friends from college just had babies. I'm not even married or engaged. But I think I'll spare you the usual despair about singledom, growing old, and... (gasp) RUNNING OUT OF TIME.

I think life is a pretty awe-inspiring thing these days. With plenty to keep me busy, to revel in, to enjoy... Why rush away from this into something that will take time away from playing videogames?
As a director, I often see the same old monologues again and again. Even when done well, they are tired and when done poorly, they are excruciating. This is especially true when it comes to Shakespeare. There are hundreds of Shakespearean monologues; yet, actors constantly choose inappropriate or overdone pieces for auditions.

For
Midsummer auditions, we asked students to prepare one of just twelve monologues (six for men and six for women). We selected them ourselves, made cuts where applicable, and were pleasantly surprised by the results.

Actors auditioning with a Classical monologue, feel free to choose from the following. See also my:

* * *

Parolles in All’s Well That Ends Well (Act I, Scene 1)

PAROLLES:
Virginity being blown down, man will quicklier be blown up: marry, in blowing him down again, with the breach yourselves made, you lose your city. It is not politic in the commonwealth of nature to preserve virginity. Loss of virginity is rational increase and there was never virgin got till virginity was first lost. That you were made of is metal to make virgins. Virginity by being once lost may be ten times found; by being ever kept, it is ever lost: 'tis too cold a companion; away with 't! There's little can be said in 't; 'tis against the rule of nature. To speak on the part of virginity, is to accuse your mothers; which is most infallible disobedience. He that hangs himself is a virgin: virginity murders itself and should be buried in highways out of all sanctified limit, as a desperate offendress against nature. Virginity breeds mites, much like a cheese; consumes itself to the very paring, and so dies with feeding his own stomach. Besides, virginity is peevish, proud, idle, made of self-love, which is the most inhibited sin in the canon. Keep it not; you cannot choose but loose by't: out with 't! within ten year it will make itself ten, which is a goodly increase; and the principal itself not much the worse: away with 't!


Antipholus of Syracuse in Comedy of Errors (Act 3, Scene 2)

ANTIPHOLUS OF SYRACUSE
Teach me, dear creature, how to think and speak:
Lay open to my earthy-gross conceit,
Smother'd in errors, feeble, shallow, weak,
The folded meaning of your words' deceit.
Against my soul's pure truth why labour you
To make it wander in an unknown field?
Are you a god? would you create me new?
Transform me then, and to your power I'll yield.
But if that I am I, then well I know
Your weeping sister is no wife of mine,
Nor to her bed no homage do I owe:
Far more, far more, to you do I decline.
O! train me not, sweet mermaid, with thy note,
To drown me in thy sister flood of tears:
Sing, siren, for thyself, and I will dote:
Spread o'er the silver waves thy golden hairs,
And as a bed I'll take them and there lie;
And, in that glorious supposition think
He gains by death that hath such means to die:
Let Love, being light, be drowned if she sink!


Falstaff in Merry Wives of Windsor (Act 3, Scene 5)

FALSTAFF:
Have I lived to be carried in a basket, like a barrow of butcher's offal, and to be thrown in the Thames? Well, if I be served such another trick, I'll have my brains ta'en out and buttered, and give them to a dog for a new-year's gift. The rogues slighted me into the river with as little remorse as they would have drowned a blind bitch's puppies, fifteen i' the litter: and you may know by my size that I have a kind of alacrity in sinking; if the bottom were as deep as hell, I should down. I had been drowned, but that the shore was shelvy and shallow; a death that I abhor; for the water swells a man; and what a thing should I have been when I had been swelled! I should have been a mountain of mummy.


Benedick in Much Ado About Nothing (Act II, Scene 3)

BENEDICK:
Love me? Why, it must be requited. I hear how I am censured. They say I will bear myself proudly if I perceive the love come from her. They say too that she will rather die than give any sign of affection. I did never think to marry. I must not seem proud. They say the lady is fair. ‘Tis a truth, I can bear them witness. And virtuous- 'tis so, I cannot reprove it. And wise, but for loving me. By my troth, it is no addition to her wit- nor no great argument of her folly, for I will be horribly in love with her. I may chance have some odd quirks and remnants of wit broken on me because I have railed so long against marriage; but doth not the appetite alter? A man loves the meat in his youth that he cannot endure in his age. No. The world must be peopled. When I said I would die a bachelor, I did not think I should live till I were married.


Prospero in The Tempest (Act 4, Scene 1)

PROSPERO:
You do look, my son, in a mov’d sort,
As if you were dismay’d: be cheerful, sir:
Our revels now are ended. These our actors,
As I foretold you, were all spirits and
Are melted into air, into thin air:
And, like the baseless fabric of this vision,
The cloud-capp’d towers, the gorgeous palaces,
The solemn temples, the great globe itself,
Yea, all which it inherit, shall dissolve
And, like this insubstantial pageant faded,
Leave not a rack behind. We are such stuff
As dreams are made on, and our little life
Is rounded with a sleep.—Sir, I am vex’d:
Bear with my weakness; my old brain is troubled.
Be not disturb’d with my infirmity.
If you be pleas’d, retire into my cell
And there repose: a turn or two I’ll walk,
To still my beating mind.


Troilus in Troilus and Cressida (Act 1, Scene 1)

TROILUS:
Peace, you ungracious clamours! peace, rude sounds!
Fools on both sides! Helen must needs be fair,
When with your blood you daily paint her thus.
I cannot fight upon this argument;
It is too starv’d a subject for my sword.
But Pandarus,—O gods! how do you plague me.
I cannot come to Cressid but by Pandar;
And he’s as tetchy to be woo’d to woo
As she is stubborn-chaste against all suit.
Tell me, Apollo, for thy Daphne’s love,
What Cressid is, what Pandar, and what we?
Her bed is India; there she lies, a pearl:
Between our Ilium and where she resides
Let it be call’d the wild and wandering flood;
Ourself the merchant, and this sailing Pandar
Our doubtful hope, our convoy and our bark.
As a director, I often see the same old monologues again and again. Even when done well, they are tired and when done poorly, they are excruciating. This is especially true when it comes to Shakespeare. There are hundreds of Shakespearean monologues; yet, actors constantly choose inappropriate or overdone pieces for auditions.

For
Midsummer auditions, we asked students to prepare one of just twelve monologues (six for men and six for women). We selected them ourselves, made cuts where applicable, and were pleasantly surprised by the results.

Actors auditioning with a Classical monologue, feel free to choose from the following. See also my:

* * *

Adriana from The Comedy of Errors (Act 1, Scene 2)

ADRIANA:
Ay, ay, Antipholus, look strange, and frown:
Some other mistress hath thy sweet aspects,
I am not Adriana, nor thy wife.
The time was once when thou unurg'd wouldst vow
That never words were music to thine ear,
That never object pleasing in thine eye,
That never touch well welcome to thy hand,
That never meat sweet-savour'd in thy taste,
Unless I spake, or look'd, or touch'd, or carv'd to thee.
How comes it now, my husband, O! how comes it,
That thou art thus estranged from thyself?
Wouldst thou not spit at me and spurn at me,
And hurl the name of husband in my face,
And tear the stain'd skin off my harlot-brow,
And from my false hand cut the wedding-ring
And break it with a deep-divorcing vow?
I know thou canst; and therefore, see thou do it.
I am possess'd with an adulterate blot;
My blood is mingled with the crime of lust:
For if we two be one and thou play false,
I do digest the poison of thy flesh,
Being strumpeted by thy contagion.
Keep then fair league and truce with thy true bed;
I live unstain'd, thou undishonourèd.


Imogen in Cymbeline (Act 3, Scene 2)

IMOGEN:
You good gods,
Let what is here contain'd relish of love,
Of my lord's health, of his content, yet not
That we two are asunder; let that grieve him.
Good wax, thy leave. (She breaks the seal.)

(Reads) 'Justice, and your father's wrath, should he take me in his dominion, could not be so cruel to me, as you, O the dearest of creatures, would even renew me with your eyes. Take notice that I am in Cambria, at Milford-Haven. What your own love will out of this advise you, follow.’

O, for a horse with wings! Hear'st thou, Pisanio?
He is at Milford-Haven: read, and tell me
How far 'tis thither. If one of mean affairs
May plod it in a week, why may not I
Glide thither in a day? Then, true Pisanio,
Who long'st, like me, to see thy lord… and by the way
Tell me how Wales was made so happy as
To inherit such a haven. Prithee, speak,
How many score of miles may we well ride
'Twixt hour and hour?


Lady Percy in Henry IV (Part 1, Act II, Scene 3)

LADY PERCY:
O, my good lord, why are you thus alone?
For what offence have I this fortnight been
A banished woman from my Harry's bed?
Why hast thou lost the fresh blood in thy cheeks
And given my treasures and my rights of thee
To thick-eyed musing and cursed melancholy?
In thy faint slumbers I by thee have watched,
And heard thee murmur tales of iron wars,
Speak terms of manage to thy bounding steed,
Cry “Courage! to the field!” And thou hast talked
Of sallies and retires, of trenches, tents,
Of palisadoes, frontiers, parapets,
Of basilisks, of cannon, culverin,
Of prisoners' ransom and of soldiers slain,
And all the currents of a heady fight.
Thy spirit within thee hath been so at war,
And thus hath so bestirred thee in thy sleep,
That beads of sweat have stood upon thy brow
Like bubbles in a late-disturbed stream,
And in thy face strange motions have appeared,
Such as we see when men restrain their breath
On some great sudden hest. O, what portents are these?
Some heavy business hath my lord in hand,
And I must know it, else he loves me not.


The Princess of France from Love’s Labor’s Lost (Act 5, Scene 2)

PRINCESS:
No, no, my lord, your grace is perjured much,
Full of dear guiltiness; and therefore this:
If for my love, as there is no such cause,
You will do aught, this shall you do for me:
Your oath I will not trust; but go with speed
To some forlorn and naked hermitage,
Remote from all the pleasures of the world;
There stay until the twelve celestial signs
Have brought about the annual reckoning.
If this austere insociable life
Change not your offer made in heat of blood;
If frosts and fasts, hard lodging and thin weeds
Nip not the gaudy blossoms of your love,
But that it bear this trial and last love;
Then, at the expiration of the year,
Come challenge me, challenge me by these deserts,
And, by this virgin palm now kissing thine
I will be thine; and till that instant shut
My woeful self up in a mourning house,
Raining the tears of lamentation
For the remembrance of my father's death.


Katharina from The Taming of the Shrew (Act 4, Scene 3)

KATHARINA:
The more my wrong, the more his spite appears.
What, did he marry me to famish me?
Beggars that come unto my father's door
Upon entreaty have a present alms;
If not, elsewhere they meet with charity;
But I, who never knew how to entreat,
Nor never needed that I should entreat,
Am starv'd for meat, giddy for lack of sleep;
With oaths kept waking, and with brawling fed;
And that which spites me more than all these wants-
He does it under name of perfect love;
As who should say, if I should sleep or eat,
'Twere deadly sickness or else present death.
I prithee go and get me some repast;
I care not what, so it be wholesome food.

(Petruchio enters.)

Why, sir, I trust I may have leave to speak,
And speak I will. I am no child, no babe.
Your betters have endured me say my mind,
And if you cannot, best you stop your ears.
My tongue will tell the anger of my heart,
Or else my heart, concealing it, will break.


Miranda from The Tempest (Act 3, Scene 1)

MIRANDA:
I do not know
One of my sex; no woman's face remember,
Save, from my glass, mine own; nor have I seen
More that I may call men than you, good friend,
And my dear father: how features are abroad,
I am skilless of; but, by my modesty,
The jewel in my dower, I would not wish
Any companion in the world but you,
Nor can imagination form a shape,
Besides yourself, to like of. But I prattle
Something too wildly and my father's precepts
I therein do forget.
Do you love me?
I am a fool
To weep at what I am glad of.
At mine unworthiness that dare not offer
What I desire to give, and much less take
What I shall die to want. But this is trifling;
And all the more it seeks to hide itself,
The bigger bulk it shows. Hence, bashful cunning!
And prompt me, plain and holy innocence!
I am your wife, it you will marry me;
If not, I'll die your maid: to be your fellow
You may deny me; but I'll be your servant,
Whether you will or no.
About Me
Kaitlyn
Boston, MA

Currently Playing: Fallout: New Vegas, Rock Band, Your Shape, Epic Mickey, Puzzle Quest 2, Viva Pinata, Limbo, Assasin's Creed

View my complete profile